While many stylish 60’s clothes come through Monster Vintage and many of them remind us of Mad Men, this is the first time a suit has so clearly spoken the name of the character Pete Campbell. His character routinely wears blue throughout the show, especially in the early seasons, and it’s easy to see why: This is a beautiful color. It’s a sapphire blue with a faint black contrast, yet it has a sheen in the light. The cut is relaxed and roomy in the jacket, with cuffs at the ankles on the pants. Made by Alton Ames Clothes of Distinction and sold by Foreman and Clark, purveyors of fine men’s suits. Click here for more views and sizing details.
Elegant and emphatically hot pink, this carefully home-sewn dress will have you and everyone else seeing in Velvet-Vision. Short sleeves and boat neckline with Peter Pan-style collar, bodice fitted with darts, all come together to make a swingy, kicky party dress with a slight flare. We’d be lying if we didn’t say it had a little bit of both Joan and Peggy from Mad Men. As they say on the show, “A thing like that!” Click here for more views and sizing information.
Such stunning structure! We here at Monster Vintage haven’t invoked the M-M words for a long time, but it’s impossible to resist. If this doesn’t impart to you the striking patterns and impeccable shapes of the career women of Mad Men from the most recent seasons, we don’t know what will. Abstract running pattern of dots and bars in dark autumn colors shot through with some white for contrast, this very smart set is comprised of two pieces: The structured dress and the structured jacket. Each is a stand-alone piece, but they are tailored so concisely, they practically sing a duet of late Mod style. Listen! Can you hear it?
I think we have another Mad Men style here! I’m thinking it looks like Peggy Olson, post-makeover. Unlike other more traditional plaid and tartan prints, this is a zippy geometric grid check in fresh colors. Let this skirt say that you’re efficient, capable, and have a great eye. Click here for more views and details.
Friends of vintage, friends of Mad Men, we have here a tie-in to a major plot point on a recent season of Mad Men. Fine, it’s not super-recent, but this blogger doesn’t have cable and has to be patient.
In the pilot for the fourth season of Mad Men, there is a contentious meeting between the main characters and some stuffy executives from Jantzen, who are wary of too-risque ads for their company’s two-piece swimsuit. Something like this piece, but with a little less material!
While in the show, the tension between the bold ad men and the conservative Jantzen representatives served as an important way to remind the viewers that the sixties were well underway, the episode launched a firestorm of blog posts after its airing. In reality, apparently Jantzen had no qualms about using “a wink” in their ads. You just have to suspend your disbelief to watch any show that revisits the past.
Luckily, you don’t have to suspend your disbelief when admiring this suit we have in our collection of women’s swimwear! It’s so very sixties. It’s a two-piece, but it still covers quite a bit compared to the suits Jantzen would produce just a few years later. This suit is neither itsy nor bitsy by today’s standards. However, it is a vibrant shade of coral (a bit brighter and more orange than on my monitor – it’s day-glo coral), which is surprisingly flattering on several skin tones. You can find sizing information and views at this link.
I hope you’ve enjoyed this Mad Men Moment, but it’s even more relevant when you realize that Jantzen is an established company right here in Portland, Oregon! So from the perspective of Monster Vintage, this is local history, pop culture, and really nice vintage swimwear!
There’s something about shoes that allows the wearer to be sporting an understated outfit until you see something like this. I’m calling this “part shoe, part chandelier” – but only in the best possible way. These strappy white sandals are fairly minimalistic so as not to compete with the “crystals” in blue, clear-white, and a shade of orange that reminds me of a hot climate. Will we see something like this soon on Mad Men? Very possibly! The pairing possibilities with these are many, but that’s up to you. Click here for more details and views!
The first thing to pop into my mind when I saw this was, “Oh, citrus colors! How summery!” Then I saw the cut and fabric was convinced of the bloggability of this piece. The colors are classic and now – greens can easily be found in fashion as far away as Berlin – and this is the quintessential early 60’s summer dress, complete with a self belt with a little self bow, all in a slightly nubby fabric. Added bonus: If you identify with the style of Peggy Olson of Mad Men, this dress may make your day. Click here for more details.
Red on red is all the rage in Japanese street fashion, and here it is in a vintage dress perfect for your next cookout. Looks like something between the style of Betty Draper and Peggy Olson (post-makeover). Click here for more views!
The men of Mad Men. The tall, dark, handsome and dangerously slick men of Mad Men. How I haven’t serenaded this subject yet is beyond me. I’m blaming weak office coffee and gray skies. My first disclaimer is that I have only of recent become chained to the laptop, watching one precious episode at a time. Currently at the beginning of season 3, I am way behind. But that’s okay. More to look forward to before I’ve fully caught up to where the rest of the world is. My second disclaimer is feeling overwhelmed in thinking about composing a blog entry to cover these men. So I’ll just jump in.
The show’s portrayal of professional men working in an advertising company in the early 60’s (the show starts in 1959) is genius. It’s been written, blogged, tweeted and talked about ad nauseam by now. But that’s okay too. It’s well deserving of all chit chat. Head costume mistress Janie Bryant does the most cohesive job finding and putting together picture perfect power suits for the Manhattan boys. Maybe that’s it; they work in the heart of New York City, where all stylish gems are born and prosper. And I have to assume all the dark liquor sipping and cigarette sucking add to the allure altogether.
The two main office objects are Don Draper (Jon Hamm) and silver fox Roger Sterling (John Slattery). There are others, not to be ignored, but for the purpose of this blog, Draper and Sterling are the fashion focus. Both men are slyly intelligent, hard-working and ride slippery slopes when it comes to the ladies. Exquisitely tailored suits are their daily wares and according to Bryant, the decision to dress them in a sleek and masculine color palette of grays is conscious. Sterling has more trinkets to his look; watch fobs and handkerchiefs. This is to help convey his senior to Draper as well as his ability to dress with expensive flair, due to his deeper pockets. Both don conservative ties, but Sterling wears the true 3-piece suit, which includes the matching vest.
Tailored mens clothing is, in itself, an art that is coveted by those who care. Made-to-measure houses are hard to find and I distinctly remember that while living in New York for a brief time, alteration shops were much more prevalent than here on the West coast. There is something deliciously sexy about a man who takes the care to have his jackets and slacks fit perfectly. There are many lessons from the 1960’s which we have learned to steer away from but maybe playing dress up is one worth passing on to the aught generations.
Below, snap shots of Hamm and Slattery, followed by our offerings. I feel inclined to do a follow-up post regarding top designers who have fallen under the Mad Men spell and created modern interpretations for their 2010/2011 lines…
Hailing from Turkey and flooding Dubai, one of the world’s stylishly glitz-filled emirates, the Koton fashion house has the major fashion magazines quietly flooded with the season’s most lush photographs. The label’s Winter 2010 advertorial is simply, fantastically, dipped in a thick, golden-hued layer of 1970’s classic charm. In adoration with every piece featured, I am thrilled at how precisely Koton nailed the feeling of the 70’s. It is all at once subdued, relaxed, nonchalant, classy, strong, feminine and crisp.
The caramel-soaked camel color palette blends in with Fall fantastically; it is a dewy hue that adds an attractive glow to many different skin shades. The shapes are strictly of the decade; wide-legged trousers, knit turtle-necks, slimming pencil skirts in solids and plaids, silky secretary blouses with front-tie over-sized bows and of course, tweed blazer jackets and the piece du jour, a three-quarter length wool overcoat.
The styling and set choice is icing on the cake – Jackie O. sunglasses, gilded overlay necklaces that resemble Irish crests, leather tooled purses, slick side parted hair, berry-tinted lips and fingers. Below are the visual treats followed by some of our own goodies for sale.